Tag: character arcs

The Self-Aware Writer – Self-Awareness & Ideas

Posted on by Ian Dawson

You are an endless supply of ideas and stories.  You’ve lived life, have had good and bad experiences, and have grown from those situations.  How you interpret what’s happened to you can influence how you react in future situations, and this self-awareness and hindsight can help you create and develop stories.

Creating grounded characters and situations that others can relate to is a way to utilize self-awareness as a writer.  This is where your internal self-awareness comes into play by exploring and analyzing real-world events and emotions from your own life.  You can discover relatable moments that readers can connect to that will keep them glued to the page. 

The key phrase here is connection.  You aim to create characters that allow the audience to empathize and sympathize with them and their struggles or triumphs.  Even in fantasy stories, we are drawn to characters who have relatable emotions, goals, and setbacks.  While we all may not go on a journey like Frodo in The Lord of the Rings, our Hobbit hero’s emotional arc allows us humans to relate and connect with him.

This week, take the time to sit and write down five or six events from your life that could be the inciting incident of a new story.  Take yourself back to those moments.  What was going through your mind at the time?  Feelings?  Thoughts?  What was your emotional journey through each of your chosen events?

These don’t have to be tragic; you can also utilize positive moments.  The key is to explore the realness of each situation.  How can those emotional beats be part of your protagonist’s larger character arc?  How would an audience empathize or sympathize with your character?

Only some ideas will hit, and only some life events are worthy of being committed to paper.  As you develop a keener self-awareness as a writer, you’ll gain perspective on when an idea isn’t worth pursuing over one that is.  

It’s all part of the creative process, the ability to prioritize ideas worth your time, effort, and energy over those that aren’t right now.

By digging into your life and past, you can mine stories that aren’t carbon copies of the latest bestseller or Hollywood blockbuster.

Once your story idea and characters are locked in, you can take the following steps: development and drafting.  We’ll talk about those in the next post.

Happy Creating, and I’ll see you next time!

Writing Tip of the Week: Writing the Ending First

Posted on by Ian Dawson

Every story has an ending, a finale, or a denouement.  It’s the feeling that everything is wrapped up in a neat little bow, the threats defeated, and the main character has grown and learned from their trials and tribulations.  What the reader started with in Chapter One is a far cry from where we are as The End approaches.

Starting a story can be a challenge.  Ending one can be equally challenging, but it has the potential to be easier to write than the first chapter of a story.  So, what if you wrote the big finale first and worked backward?

Let’s talk about it!

The End is Inevitable

At some point, you will be writing the final chapters of your book.  If you are already in the drafting phase, you have an outline detailing or sketching how the narrative will go from start to finish.  You have the basics down, but you can’t get into the opening chapter even with the outline.

Give yourself permission to skip to the end.

Does the finale of your book excite you?  Can you envision how all the pieces of the story’s puzzle come together in those final chapters?  Good.  Then start there.  Pick a point toward the end of the story and write until you get to the last word.  

You’ve now laid out the foundation on which the rest of the story can build.

What happens before to lead to the finale?  And before that?  And before that? 

Does the finale alter the events, locations, characters, or choices you sketched in your outline?  

If so, go back through your outline and fine-tune things.  

Begin Again

Now you know where all roads are leading.  It’s time to examine the first chapter and determine where your main character begins their journey.  

You may have to change a few things, or you might have to gut the entire beginning and start over, which is sometimes part of the creative process.  Knowing your story’s direction and end is essential.  It lets you know what your main character is moving toward and whether or not they achieve or fail at their primary goal.

Personally…

I enjoy writing the finale first, even in draft form.  I like to see where I take the characters and how the conflict is resolved.  It can give me insights into how the characters can grow and develop throughout the story and allows me to examine how their arc begins based on where it ends.

Writing Exercise: Look to the Movies

Find a few movies you’ve never seen and watch the final fifteen minutes.  Now, based on that information, write a quick paragraph about where you think the main character’s journey began and what may have happened to lead them to their current situation.  

Then, watch the movie and see if you were right, close, or way off in your assessment. 

Final Thoughts

The ending of a story is a key piece of the narrative puzzle.  If you’re having trouble developing a solid beginning, work on the finale and move backward to see how events led to the ending you wrote.

Doing this has helped me develop stronger character arcs and decide on better starting points for my characters in several scripts and stories I’ve written.

Happy Writing, and I’ll see you next time!

Writing Tip of the Week: Crafting Character Emotions

Posted on by Ian Dawson

Emotions.  We all have them and use them.  Whether positive or negative emotions, human beings utilize these traits to convey a wide range of feelings to others.  As real people, we have a lifetime to analyze, discover, and change our emotional responses to situations caused by internal and external forces.  

With fictional characters, however, this becomes more of a challenge.  You only have a certain number of script pages or novel chapters to provide the audience with fully realized and dimensional characters with whom they will share the story’s journey.  But how do you tap into the emotional center of a fictional being? How do you make them relatable, empathetic, and capable of change?

Let’s talk about it.

Why Emotions?

Emotions help ground your characters in reality and make them relatable to the audience.  If a viewer or reader finds emotional traits within the main character that connect them to the hero on a deeper level, this leads to the story having more resonance for the audience.  

Most mainstream entertainment uses broad and general emotions to connect with the majority of viewers or readers.  From wanting to belong to finding the courage within to fight injustice, relatable emotional hooks connect audiences to your characters and to the story.

It’s important to remember, too, that a well-rounded character has a combination of positive and negative emotional traits.  The positive should outweigh the negative in a protagonist, but since real people have both types, giving your main character a few negative emotional characteristics will help make them more realistic.

When developing your characters, make a list of emotional traits you feel they would possess at the start of the story and how that list will change after the story ends.  Do they go from being fearful and timid to courageous?  Do they go from being cocky and self-assured to humble and respectful?  The events of the story should serve the character’s emotional journey as well.

So, how do we see these types of emotions in action?

Look Inside Yourself

You have emotions and feelings, both positive and negative.  As I stated at the beginning, we all do.  As you create your main character, even if they are 100% different from you, you can still put yourself in their shoes and ask: How would I handle the situation?  This is a great starting point to orient yourself in the character’s shoes (since you will be spending a lot of time with them) and helps make them relatable.  Emotions are universal, but how we deal with them varies from person to person.

Would your main character react the same way you would to bad news?  If so, use that.  If not, dig deep into yourself and see what emotions this character could use to cope and deal with the bad news they have heard.  Even if it’s the opposite of how you would react, you can still justify their emotional response by looking within.

Study People You Know

The holiday season is upon us, and with that – this year more than last – comes interactions with family, friends, and strangers.  Observe people in stressful situations.  How do they react?  How do they cope?  Do they irrationally express their emotions, or rationally work to resolve the problem?

When traveling, make notes on how people respond and react to travel delays, masking rules, and other restrictions.  Why are they acting like that?  Put yourself in their shoes.  How would you react?  How would your main character react?  

Public spaces are a great place to mine emotional responses that can only aid you in your creative writing endeavors.  The mall, Target, or the grocery store can also deliver the emotional goods when the holidays are upon us.

Family and friends are filled with stories.  Use their stories to explore how they dealt with a problem or an issue.  Family and friends are a great resource for research, and you can bet someone at the table will say, “If it were me, I would have…” in response to what was just told to the group.  Make a mental note or write the differences in emotional responses down.  All of it is great fodder for character creation and development.

Read, Watch, Listen

Maybe your main character is a politician, a celebrity, a police officer, or a billionaire.  The nice thing is that there are plenty of autobiographies, biographies, documentaries, and even podcasts that delve into the lives and mentalities of these types of people.  A politician thinks and plans out their life differently than other professions.  A celebrity’s personal life is public, which can cause a lot of emotional stress that regular people don’t have to deal with.  

By doing research, you can find out how these individuals work through failures, successes, being in the public eye, media scrutiny, etc., and get to the real emotions behind it.  All of this research helps to make your main character more relatable and empathetic to the audience. YouTube is a treasure trove of free interviews, specials, and documentaries about all kinds of people. 

And if your villain is a serial killer, you have thousands of podcasts and documentaries to choose from that delve into the psyche of these individuals.  What makes serial killers, politicians, and billionaires tick?  Are there any emotional similarities between them?

Don’t Rely on Fiction for Reference

There are billions of real people who can be viewed as references for emotional arcs within your fictional world.  Real people can deliver true emotional depth and empathy, giving your characters a great level of dimension.  

While most of us love fiction, it’s wise not to use fictional characters as reference points for emotional character development.  It’s tempting to make your characters like Tony Stark or Jack Torrance, but then you aren’t bringing anything fresh or new to the emotional table.  Creating cookie-cutter characters makes them dull and uninteresting.  Borrowing traits from Bruce Wayne or Elle Woods is lazy writing.  

Work to develop emotional arcs for your character that don’t allow your audience to predict the outcome.  This leads to greater interest in the characters, the story, and a greater connection emotionally.

Multi-dimensional characters give audiences the best way to escape into the fictional world in front of them.  By creating a relatable main character filled with depth and real growth, audiences are more likely to enjoy the journey and appreciate the pay-offs by the story’s end.

Happy Writing, and I’ll see you in two weeks!