Last time, we talked about utilizing self-awareness as a writer when crafting an outline for your story. Today, we’ll discuss the best way to use self-awareness during the drafting process.
Let’s get started.
Drafting, Drafting, Drafting
Many writers are intimidated by the drafting phase of the writing process. Taking an idea that has been fleshed out into bullet points in an outline is one thing, but to actually WRITE chapters and a coherent narrative that’s tens of thousands of words? Madness!
No matter your feelings on the subject, writing that first draft is an essential step in getting to the final draft, but this is another case where you want to put your self-awareness tool to the side and let the creativity flow with as much passion and uncensored glory as you wish.
Hey, it’s a rough/first draft. It’s for your eyes only. No one will see this version, so why not take the brakes off and let your imagination run wild. Stick with the outline you’ve crafted, but if a character or story point takes you somewhere new and more compelling, go there.
Give yourself the freedom to play, to explore, to run free. This is the time to do it.
I’ve been working through an outline before and realized that I hadn’t given my subplots much consideration, so I’ve taken some time to explore their characters and situations. It helped strengthen the overall story and enhanced the main character’s arc. If I hadn’t deviated from what I had outlined, I never would have discovered these new aspects.
Once you’ve played around and written THE END on your rough/first draft, it’s time for the kid to take a nap and the self-aware writer to take over.
Revising with Self-Awareness
Now is the time to take a step back and look at your draft as both author and reader. This is when any sense of “I’m an artist, and everything I write is gold” must be locked away so common sense can take the helm.
After all, you want to make sure as you make revisions that the story makes sense; the characters grow and change; that dialogue is realistic for the story you’re telling; that descriptions paint and clear picture for the reader; and that your main story and subplots have a clear beginning, middle, and end.
This can be a lengthy process that shouldn’t be taken lightly. This is where the story really begins to take shape. It’s where themes are solidified. It’s where you can fix the story’s pacing, cut aspects that don’t work, and add things that will improve the reader’s experience.
Part of being a self-aware writer is knowing when to cut things – even if you love them – to improve the story. Realizing that maybe a plot point that worked in the outline causes the story’s momentum to fizzle once it’s fleshed out in chapter form. Your self-awareness enables you to detect these issues and fix them.
Again, this is a process that is rewarding once you have crafted a story and characters that are exactly what you intended when you set out to write this book.
You’ve done it. You’ve revised, cut, added, moved around, and re-chaptered your story. You’re on your ninth or tenth draft and feel pretty good. It’s time to edit; self-awareness can help you with that, too!
Happy Writing, and I’ll see you next time!