The next time you’re out someplace waiting in line, getting food, ordering a coffee, or at the mall, take a few moments to fully take in your surroundings.
• What do you see?
• What do you hear?
• What do you feel?
• What do you smell?
• What do you taste?
Take out a notepad, or open the Notes App on your phone if that would make you feel less self-conscious. Write down everything you take in with your senses. Sights, sounds, colors, mannerisms, people quirks, etc. Almost as if you are looking at a moving painting.
Later, take your notes a write out the scene with as much detail as possible, using all the sensory elements as a guide. Paint the reader a vivid picture as if they are present at the location with you.
Do a few drafts, adding more detail and sensory elements with each pass.
Once you feel you’ve created a sensory-loaded piece, give it to a trusted friend or loved one to read. Did they experience all the sensory elements?
This is a great exercise to work on bringing the reader into a scene in more vivid and dynamic ways.
Happy 2022, everyone! I’m sure by now you’ve planned out your writing goals for the new year, but sometimes the most challenging part of digging into those goals is facing the ominous and foreboding blank page. Whether on your laptop with a blinking cursor, or a pad of lined paper, the blank page is something all writers face, from newbies to seasoned vets.
So, how do you break through the intimidation factor that can occur when staring into the blank abyss?
Fact: The Blank Page is Inevitable
The blank page will always be an ever-present factor in your writing life. It can’t hurt you. It can’t harm you. It can’t do anything but sit there and quietly taunt you.
Don’t let it win!
You can’t learn to swim unless you get in the water, and you can’t ride a bike without getting on one. And you can’t conquer the blank page without adding words and conquering its blankness.
Here are a couple ways to defeat it.
Conquer your fear by jumping into the blank page by writing whatever pops into your head. It can be relevant to your story, but the trick is to eliminate the blankness by adding words to the canvas.
Write a poem. Write a thank-you note. Write a logline. Just write something to get the words on the page.
Write Down Questions
Your story has a lot of elements. If you’re having a hard time diving into the meat and potatoes of the writing, write down questions related to your story, characters, setting, etc. This will break up the blank page and give you story-specific things to think about as you begin your writing process.
Don’t Start at the Start
At this stage, there’s no need to begin your writing project at the beginning. What chapter, scene, or sequence gets you excited about the project? Is there a character’s description that intrigues you most?
Why not start there?
It’s all part of the same project, and if writing that piece gets the words flowing, then that’s the best place to start.
Remember, you can always go back and write the beginning later.
This year, fight the good by dominating and defeating the evil and dastardly blank page. Your creativity is counting on you!
What’s your favorite movie? What makes that particular film stand out from the rest of the millions that exist? What is it about that story, its characters, or its themes that left an impression on you?
Time to do a little homework.
I know, I know. Homework. Booooooring! I get it. But, this is creative homework. This is your chance to do a deep dive into your favorite film and get to the heart of why it affects you and why you enjoy it. In turn, this exercise will help you as a writer by giving insight into how they create a compelling story, how they utilize storytelling structure, and how they create compelling characters.
What You Need
Grab a notepad or legal pad and a pen or pencil.
A copy of your favorite movie.
Your Analytical Cap.
Good Pause Button skills (you’ll be using this a lot).
Think of yourself as a story archaeologist. Your mission is to unearth the storytelling secrets hidden beneath the surface of the film you chose.
I know it’s your favorite, but as you go through this first time, write down your favorite moments and note at what time or on what page number they occur. Was it a plot point that intrigued you? A clever line of dialogue? A character moment? Write it down and write down why you reacted the way you did to that element.
Do this for the whole movie, then read back through what you observed.
This round is all about the story. In one or two sentences, write down what happens in each scene that moves the story forward. What’s the main conflict in each scene? You can number the scenes or write a general location of where the scene takes place.
If scenes are revolving around a sub-plot, see how that smaller story is resolved or if it dovetails into the main story.
By the end, you should be able to go back through your notes and see the primary story arc evolve throughout the film. Does each scene feed into the next? Do you notice a pattern as to when the story has significant changes?
All screenplays have a basic story structure. There are dozens of ways to break down that structure, but for the purposes of this exercise, I’ll refer you to The Syd Field Paradigm below:
If the screenwriter did their job correctly, these elements should be crystal clear and easy to identify as you review your notes. Highlight or underline what you feel these moments are.
This final round is all about character. Your job is to watch how the main character changes over the course of the story. What traits do they have at the start of the story? Do they become a better person or a worse person by the end?
This is another scene-by-scene breakdown. Write down in a couple sentences what the main character is doing, how they’re acting, what you feel their motivation or conflict is in the scene. As you go through, you should be able to see their discernable character arc as they navigate their way through the ups and downs of the plot. How does the story impact who they are as a character? How do they impact the events of the story?
Read back through and see if you can clearly identify when the writer began to make changes in the character and how those changes altered the main character by the end of the story.
So, What Did We Learn?
So, now you’ve watched your favorite film three more times and have done some digging into its inner workings. By breaking the movie into its basic components, you have a clearer picture of how this screenwriter crafted a compelling story with an interesting main character. You can see where the story beats are, where the direction of the story changes, and how those elements either impact the main character’s arc or how their arc impacts the story.
Keep this exercise in mind when you finish a draft of your screenplay, play, or novel. If you were to sit down and do this exercise with your work, could you summarize what’s happening in each scene in a sentence or two? Would those sentences be enough to show the main story’s arc throughout the narrative? Does your main character evolve over the course of the story? What happens to cause the change from start to finish?
Consider doing this exercise with your own work to help you strengthen your story and main character in your different drafts.
Now, if you enjoyed that exercise, why not try it with a movie you strongly dislike? I know it can be hard to stomach a film you can’t stand, but take the emotion out and look at it from an analytical perspective.
The first time through, write down all the elements you dislike and why. If anything does work for you, write it down.
The second and third viewings should be done similar to the ones stated above. You may find that the story arc and/or main character arc are weak and lacking in a lot of ways.
How would you, as this film’s screenwriter, fix these weaknesses? When you read back through, brainstorm what you would have done to make the story and character elements stronger and more effective.
You can learn a lot from both good and bad films by breaking their stories down into their component parts. I highly recommend reading screenplays for films as well. Screenplays give you the nuts and bolts of story and character without the distraction and spectacle so you can analyze things even more in-depth. I recommend checking out the link below to find screenplays to break down and analyze.
Happy writing and analyzing. I’ll see you next week!
I did the following writing exercise in one of my creative writing classes and I thought I would share it with all of you:
Write down three random objects
Write down an animal
Write down a location
Using those items, animal, and location, create a short story (~500 words) that incorporates all the things you have listed. It can be in any genre you want, any POV you want, and time period you want, the key is to utilize the items you have written down in a creative and fun way.
I will post mine by Friday.
Feel free to post yours in the comments on this post or on my story when it’s up later this week!
You’ve created the perfect protagonist for your story. They’re smart, funny, liked by other characters, and best of all, you love them, too! Now it’s time for them to enter the world of your story and there’s a fear deep inside you that wants to protect them at all costs. After all, this precious creation should travel through the ebbs and flows of the story unscathed and come out on the other end as perfect as they were when they started their journey.
This is one of the worst things you can do. Not just as a writer, but to your audience.
Your audience – whether reading or watching your story – wants to go on a journey with your main character. They want to experience, grow, change, and be moved by what happens to your main character. If your character doesn’t go through some metamorphosis over the course of the narrative, an audience will grow bored with what they are reading or watching.
And you definitely don’t want that!
Don’t be afraid to rough up your main character. Put them through traumatic events. Shake them up emotionally, psychologically, physically. It’s through how they deal with these types of events that their character arc grows over the course of the story (which is just as important as your plot points and story arc). You want your main character to wind up in a different place on the final page of your script or novel than they were at the beginning.
Audiences expect that.
Watch your favorite movie and write down what the main character is put through over the course of the story. Where were they at the start of the film? Where are they at the end? Write down 5 to 7 events over the course of the film that caused them to change as a character? Are they a stronger character because of these events?
Now that you’ve taken the time to see how it’s done, you can apply these same principles to your main character. Don’t be afraid to take them to the limits to see how they handle stressful, dire, or deadly situations. It’s through these events that your character becomes a more realized and dimensional being for audiences to root for.