Writing Motivation Mondays: The Tao of Creativity, Part Two

Last Monday, we discussed transforming negativity into positive, creative energy.  We looked at how to use our creativity to escape the world’s negativity and explored a different perspective on writer’s block.

Today, we’ll continue to explore a few more concepts from the book The Tao of Pooh.

Simplicity and Creativity

The creative process works best when we turn off the critical part of our brain and allow thoughts and ideas to flow freely.  This taps into the concept from the book about The Uncarved Block.  The author states, “The essence of the principle of The Uncarved Block is that things in their original simplicity contain their own natural power” (10).  

Brainstorming and creating a new story, work of art, or dance is best achieved when we go back to basics and create for the sake of creating.  This is a time of fun, experimenting, and freedom since we are giving ourselves the power to create.

By giving our creativity complete control, we can keep negative thoughts and doubts away from the process.

Easier said than done. 

The Evil Scourges of Overthinking & Ego

There’s a second part to the quote above: “The essence of the principle of The Uncarved Block is that things in their original simplicity contain their own natural power, power that is easily spoiled and lost when the simplicity is changed” (10).  And what can alter that simplicity and affect our power to create?

Overthinking.

Yes, overthinking can cause a fun and energized creative event to grow sluggish, frustrating, and even stop altogether.  This barrier can very effectively cause a person’s creative process to be “spoiled or lost” thanks to its intrusion into their minds.  

This scourge can come in the form of second-guessing oneself or doubts, but it can also be caused by one’s pride or ego.  It’s okay to be proud of your work, but being narcissistic can blind you to feedback and ways to make your work better.

Both have no place in the creative process.  While I’m sure most of us aren’t arrogant or egotistical about our work, many of us overthink ourselves into creative paralysis.  

Fighting Back

When in doubt, write it out.  It’s a silly rhyme, but it does help to write through your thoughts and feelings to push through the overthinking blockade.  What’s causing you to overthink?  Where in the creative process does the overthinking popup?  

You could have an Overthinking Journal where you sit and write down your counterproductive overthinking thoughts; then, you can jump back into the creative process.  Give yourself 15 minutes to get it all out on paper, then move on.

Heck, make it symbolic and write your thoughts down, then rip up the paper or shred it.  This physical act of destroying your overthinking may do wonders to get you back on track and show yourself that you have the power in this situation.

This links to another point made in The Tao of Pooh: “When you discard arrogance, complexity, and a few other things that get in the way, sooner or later you will discover that simple, childlike, and mysterious secret known to those of the Uncarved Block: Life is Fun” (20).  By taking the time to productively eliminate the negative things preventing you from being creative, you’ll quickly discover that the process is fun and enjoyable (which it should be).

Getting Back to Basics

The creative process can be complicated, and that’s okay.  Once you get into the heart and soul of what you’re creating, you’ll want to be more mindful of the final product.  

But initially, you want your imagination and creativity to be free, untethered to run wherever your thoughts and ideas wish to take you.  Not all ideas may work, but you’re not concerned about that at this stage.  Your goal at this stage is to enjoy the process.

“From the state of the Uncarved Block comes the ability to enjoy the simple and the quiet, the natural and the plain.  Along with that comes the ability to do things spontaneously and have them work, odd as that may appear to others at times” (21).  The creative mind is a mysterious and powerful entity.  Left to its own devices, it can deliver stories, works of art, or choreography that elevate an artist’s skill and confidence in their craft. 

It all starts by stripping away the negative, the critical, the egotistical, and the overthinking and just allowing yourself to create and be in that basic space.

This week, give yourself permission to create.  No barriers.  No restrictions.  No censoring.  Just creation.  You’ll be amazed at what happens.

Happy Creating, and I’ll see you next Monday!

Writing Tip of the Week: Chapter Experimentation

Writing a novel can sometimes feel like constructing a 50,000-piece puzzle.  All the elements are laid out before you, but the challenge to assemble and finish it can seem like a monumental task.  Even when you think pieces are coming together, you can quickly realize that a cluster of pieces doesn’t fit how you thought they would.

You might come across this problem while writing.  You’re working on a chapter, but something isn’t working.  The pieces of your chapter aren’t melding together the way you want them to.  

Today, we’ll discuss this problem, how to work through it, and ways to help improve the chapter and get you moving forward.

Let’s talk about it!

What’s the Point?

When you realize a chapter has a problem, take a step back and ask yourself what the intent of the chapter is.  Does the chapter introduce or add to a current conflict or storyline?  Does it enhance the reader’s knowledge about the characters?  Does the chapter set up or pay off story elements?  Is the reader learning anything new that will help them understand the characters or conflict?

Knowing why a chapter is in your story will also help you decide if it’s necessary.  If you can’t answer the basics as to why the chapter is needed, then you may want to consider cutting it.  This is especially true if the chapter adds nothing to the story, doesn’t move the plot or characters forward, and doesn’t enhance the conflict.

Yes, cutting whole chapters that you may have worked hard to finish can be a challenge.  But if they don’t add to your story, they aren’t worth keeping in the book.

Switching Characters

Let’s say that the chapter adds to the conflict and gives the reader some insight into the main character, but the chapter is flat and uninteresting.  It might be time to recast the chapter.

Who is currently with your main character?  Is it someone who adds life to the chapter?  Who else is available in your cast of characters that can help elevate your main character, the conflict, and help move the story forward?  

The trick is to find the right combination of characters to pair together that will help keep the momentum going.  Maybe they have a run-in with the antagonist. Perhaps the person they are with challenges the main character about their views or opinions, leading to external and internal conflict for the hero.  

The trick to this is twofold: 

  1. There needs to be a logic behind why these characters are together.  
  2. Once you’ve locked them into this chapter, you must ensure their pairing isn’t forgotten.  Whatever happens in this chapter isn’t happening in a vacuum, which means you’ll have to decide if this interaction between your chosen characters changes their relationship and how it will impact the story going forward.

Experiment with swapping out different characters and seeing which works best for the chapter.

Changing the Location

Once you decide on the characters, look at the setting.  Are they at home?  Are they at the grocery store?  Are they on a walk down a quiet pathway in the forest?  Choosing a better location for a chapter to take place can also give you more insight into your characters and provide possibilities for smaller conflicts.  

Ideally, you want to pick a location that logically works within the confines of your story.  Experiment with different locations and see what works best to keep the storyline moving forward and keep readers engaged.

What are They Doing?

If your characters are human, standing in the middle of a location and speaking to each other would be pretty dull.  They should be actively doing something while the chapter unfolds.  Even if the activity doesn’t have any bearing on the overarching conflict, you can use the setting and what can be done at the setting to your advantage by giving the characters something to do.

You could have them playing a board game together if they are at home.  If they are out and about, maybe playing pool, at the batting cages, or any other location where interaction is necessary.  You can even play against this by having them in a library arguing while trying to stay quiet.

It’s important to give readers characters who act human and do realistic things.  Even if they are bad at the activity, it’s better than just standing and talking to each other.

What’s Next?

As I said before, this chapter doesn’t exist in a vacuum.  Your characters came from one place and will head off to another once this chapter – or series of chapters – is over.  If this chapter changes things going forward in the story for the positive, that’s great.  It’s okay to rework your story to make it better.

Final Thoughts

I’ve found myself doing this exercise more than once to get the characters, setting, and activity just right for the story’s sake.  Yes, it can be cumbersome and frustrating at times, and sometimes, after all that work, you’ll decide the chapter isn’t needed.  But that’s all part of the writing process.  Embrace its chaos and challenges.

Happy Writing, and I’ll see you next time!

Writing Tip of the Week: Beware Analysis Paralysis

It can creep up on you without you ever knowing.  Its toxic presence can lead to a sense of hopelessness, resignation, and defeat.  We’ve all experienced it at one time or another, and it’s a problem that can easily affect anyone if they’re not careful.

It is Analysis Paralysis.

When we decide to take on a new project or endeavor, it is logical that we want to learn more about this new topic or interest.  That’s 100% fine and makes total sense.  If you want to write a screenplay and haven’t before, the logical next step is to learn how to write a screenplay.  Sounds simple enough.

Until it becomes a problem.

The problem with learning how to write a screenplay is when you lead yourself down a rabbit hole of not just learning the basics of screenwriting but delving into the thousands of books, seminars, and YouTube videos about the process.  So, instead of writing, you’re absorbing dozens of different processes about the right and wrong ways to write a script.  

**SIDENOTE: You can learn a lot from books and videos on any topic, so I’m not discrediting them.  However, these sources should be referenced once you start the endeavor instead of preventing you from beginning.**

Inevitably, this oversaturation of information can become overwhelming, and it can lead you from even starting to write your script to being afraid not only to start but the terror of doing it wrong.

This can happen so quickly to us, especially in the “information age,” that it can cause you to want to give up and walk away from what you wanted to do.  I recently ran into this situation when I decided to market my new novel.  Every marketing guru seems to have their best-seller formula, and many contradict each other on how to go about it.  

This, of course, is frustrating and led me to write this post.  So, let’s talk about ways to combat the evils of Analysis Paralysis.

If There Are Many Roads, Pick One

When it comes to anything you want to do or try in 2023, dozens, hundreds, even thousands of people believe they know the right way to do it.  This can be intimidating and lead many to give up before they even start.

So, if you want to write a screenplay, find a book or website that provides the basics and use that as a means to an end: to get you writing more and reading about it less.  While I do encourage you to read scripts and watch movies, you’ll be further along in your pursuit to write your screenplay if you begin the writing process yourself.  

This can be with anything.  Want to cook?  Great!  Find a cookbook you like and make the recipes inside.  Want to take up distance running?  Great! Find a book or website about it and try out the methodology presented.

If the first path doesn’t work, try another one.  Keep working through the different methods until you find one that works.  The key here is to try one method at a time instead of getting overwhelmed by many methods simultaneously.

Shut Out the Noise

Have you ever noticed that when you decide to do something, everyone around you is suddenly an expert in that thing?  And, like real experts, all those people think their opinion and view is the best.  And most of the time, these “helpful” friends and family have plenty to say, and it’s usually negative and counterproductive.

Ignore them.

Listening to the opinions of those around you can also lead to Analysis Paralysis.  They may have your best interest in mind, but their opinions should not influence your final decision.

If you want to write, paint, sculpt, start a podcast, learn to cook, or do something productive and fun, don’t allow others’ pessimism to impact your goals.  It can be easy to overthink what friends and family might think of you if you try something that doesn’t work out initially, but that’s their problem, not yours.

If you want to do it and work at it and make it happen, then ignore the naysayers and keep working toward your goal.

Just Do It

This can be the hardest part of the process, but sometimes you need to get out of your own way and jump in feet first.  Even if that first try doesn’t go well, you’ve tried it out and now know if it’s something you want to pursue going forward.

Imagine that you wanted to play the piano, read dozens of books about it, watched hours of video about it, and listened to people tell you about the good and bad of playing the piano.  After months of not playing, you finally schedule a lesson, sit down…and hate it. 

When you cut out the over-analysis, you can quickly see if what you’re interested in is something you genuinely want to pursue.  This also reduces the fear of trying new things and can help you decide if this new endeavor is worth your time.

Analysis Paralysis and Fear

Fear of the unknown is a common factor that prevents us from trying new things.  Our brains have this evil way of talking us out of pursuing new activities and goals, giving us doubts and worst-case scenarios instead of encouragement and excitement.

Most of the time, our mind stops us from doing things that aren’t dangerous, things that would probably make us happier and more productive if we did attempt them.  This is why pushing aside this negative voice and doing the activity is the best action to take.

It’s easy to be intimidated from writing your first novel when you measure yourself against an author like Stephen King, but even King had to overcome his fears and keep writing.  Allow yourself to accept the fear but pursue the creative goal anyway.  

Final Thoughts

Everyone has creative goals.  Whether or not they take the steps to achieve them is another story.  It’s easy to get bogged down in learning about something we want to do instead of doing it.  Allowing experts, our fears, and even the opinions of those closest to us to prevent us from moving forward.

While it’s easy to get trapped in the cycle of Analysis Paralysis, it’s crucial to find ways to fight against it, push through it, and get to the next step of actually doing what we want to do.

Happy Creating, and I’ll see you next time!

Today’s the Day!  My New Author Website is Here!

I’m excited to announce that my new website, www.iandawsonfiction.com, is now live!  Please click on over to explore and subscribe.  You’ll find lots of new features and a new layout that’s filled with my novels, blog posts, audio blogs, book reviews, and more.

I’ll be updating content on the new site weekly, so make sure to check back to see what’s new.

A special thanks to Rocket Expansion for their amazing work, creativity, and expertise in making this site a reality!  Check out their site HERE.

Announcing my new novel, coming in november 2023!

In my last post, I announced I had a new website in the works, and I’m excited to tell you that it will be launching next week!  

One of the reasons for the new website is so I can branch out beyond the YA genre and do different types of novels.

My newest novel, The Sexual Misadventures of Alicia Williams, Alpha Female, comes out in November as an eBook and audiobook, and I’m excited to share with you the title page posted above.

The new website will feature more information about the book along with many other features.

Happy Writing, and I will let you know when the new site is live so you can check it out!

Writing Tip of the Week:  Editing Your Manuscript?  Small Goals Make A Big Difference!

You’ve done it.  You’ve completed your novel, and the manuscript is saved on your computer.  It’s a great feeling to finally be done, but real work is just beginning.  That’s right, now you have to take the time to edit and revise your manuscript.  While the writing process can be overwhelming, the editing process can also feel that way. 

Let’s discuss some strategies to help you limit your anxiety regarding editing and rewrites.

Give Yourself Time

Unless you have a hard deadline from a publisher where your manuscript is due in a week, give yourself plenty of time to edit and rewrite.  The last thing you want to do is rush the process.  Rushing will inevitably cause you to skim the material and possibly miss easily fixable grammar and spelling errors.

Editing is a marathon, not a sprint.  Don’t rush the process.  Read each chapter.  Add material where needed and cut things that don’t work or don’t enhance the story or its characters.  I would suggest only working on a few chapters daily for a few hours.  This will keep you focused and give you a clear set of goals for the day.

Speaking of goals…

Break It Down

Most novels have chapters, and those chapters can be divided into manageable sections for editing.  Let’s say your book has 80 chapters, and you want to get the editing done over the next three weeks.  That’s 21 days to work through 80 chapters.  Doing the math, that comes out to about four chapters a day.

Four chapters are much easier to tackle than being overwhelmed by the thought of editing 80.  So, each day, you are tasked with working on the edits and rewrites for just four chapters.  When you’re done, stop.  Give your mind a break and continue with the next four the following day.

This will keep your momentum and creativity fresh as you work through a specific batch of chapters.

Cut and Paste

Editing a complete manuscript can be a daunting and unnerving task.  Thousands of words and hundreds of pages are being shifted around every time you type a new sentence or add a new chapter.  Your eyes can constantly be focused on the work count and page count instead of the content you’re working on.

I suggest starting a new document and then copying and pasting the material to be edited into the new document.  This will be the home of your edited manuscript, so save it with the title and date you started to edit this draft.  Copy and paste the next batch of chapters into this document each day for revision.  At the end, you’ll have a fully revised and edited draft.  

This cuts out the distraction of the final page and word count, allowing you to focus on what matters: the content of your story.

Final Thoughts

Editing is a lengthy process.  Changing how you approach editing can subvert the anxiety and panic that can creep into your mind as you work through your manuscript.  By working on a little at a time in a separate space, you’ll be amazed at how your productivity and creativity thrive.

Happy Editing, and I’ll see you next time!

Major Update: New Website Coming Soon!

I’m excited to announce that my new author website is in development and will launch in the next few weeks!

This blog – http://www.thefieldya.com – will continue to be updated through 2023, but once the new site is up, please subscribe to get updates and blog posts going forward.

More information to come as the new site moves into its final stages for its launch.

I’m very happy with how the new site looks, and I know you will be, too!

Happy Writing, and I’ll see you next time!

Book Review: The Obstacle is the Way by Ryan Holiday

What obstacles or problems do you face in your life?  Do you feel hopeless when it comes to achieving your goals?  Like forces are trying to stop you?  

What if that perspective was wrong, and those obstacles and problems were present for a reason?  What if working with those obstacles was part of your journey to success?

I know that’s a lot of questions to pose, but these and many more are asked and discussed in The Obstacle is the Way: The Timeless Art of Turning Trials into Triumphs by Ryan Holiday.  In his book, Holiday breaks down how we can utilize problems and obstacles that arise as we push toward our goals to become stronger in the long run.

With dozens of examples of past and present figures who have overcome adversity and achieved greatness when the odds were stacked against them, Holiday shows us that anyone can reach their goals with enough persistence and perseverance to follow through.

The book is broken into three sections: Perception; Action; and Will, and each delivers clear insight into how you can apply these methodologies in your daily life and break through the barriers you come across by using them to your advantage.

Based on the philosophy of the Stoics, The Obstacle is the Way is a pragmatic approach to problem solving that anyone can easily access and apply in their daily pursuits.

It’s a great book filled with solid advice and inspiring examples.  I highly recommend The Obstacle is the Way by Ryan Holiday.

Writing Exercise of the Week: Character Choices

One of the fun parts of writing is experimenting with characters and their myriad choices.  A character can be anywhere, do anything, and has millions of options in what they do and how they act.  As their creator, you are given total control over what they do, when they do it, and the consequences of those actions.

In keeping with the spirit of this concept, I thought we’d have some fun using one of your fictional characters.  

Let’s get started!

Choose a fictional character you have created.  It should be one you have used in a story before or have fleshed out enough to use in a future story.  

The Best of Times

Using your chosen character, how would they react in the following scenarios (you can write a paragraph or a 500-word story for each but from the POV of the character):

  • Winning the Lottery
  • Buying a New Home
  • Having a Baby
  • Completing a Passion Project
  • Taking a Dream Vacation
  • Buying Their Dream Car

The Worst of Times

  • Getting a Divorce/Breakup
  • Arrested for a Crime They Didn’t Commit
  • Jury Duty
  • Getting Evicted
  • Ending Up Homeless
  • Overcome By Addiction
  • Car Accident
  • Natural Disaster/Animal Attack

Making a Change

Pick one from each category and expand upon it.  How can the good or bad situation help your character grow and change?  How might they overcome a negative situation or how could a good situation turn bad?  

What’s the Point?

Characters are usually explored through the prism of the story they are a part of.  By expanding their worldview and the situations they find themselves in, you, as the writer, can create more well-rounded and dimensional characters.

Happy Writing, and I’ll see you next time!